Elizabeth Disharoon Wright
dancer
Choreographer Teacher thinker
WHY WEBSITE?
I’ve got dance on the brain, and brain in my dance.
How does dance connect the mind and body? How can dance serve to reconnect a disrupted experience of embodiment? Why are dancers obsessed with embodiment anyway? Why do we feel so much more alive and vivid when moving in space?
I am currently researching these concepts as part of the master’s program at Jacksonville University for a thesis entitled Embodiment Disrupted. I am a movement artist, choreographer, teacher and student who loves dance in all its forms. After emergency brain surgery in 2020, I used dance to rehabilitate my cerebellum and rediscover my sense of sense. I am curious about others who have gone through similar journeys or want to explore these ideas with me. I am passionate about the power of dance as a positive life force for students and adults, and would love to connect with others who have dance on the brain.
Movement and the Brain
When we think of Isadora Duncan, we tend to think of ethereal, bare-footed dancers in flowing tunics, arms wafting above. But Lori Belilove & The Isadora Duncan Dance Company principal Elizabeth Disharoon Wright believes that the sense of lightness the mother of modern dance evoked is actually quite complex, based in a system of exercises and imagery that can aid
How to Make Your Dancing Lighter and Breezier
Lightness is the famously elusive quality that can make a dancer seem to float on air. But as with all things dance, what looks like pure ease onstage takes an incredible amount of effort behind the scenes. “It’s the proverbial carrot that I dangle for my patients,” says Melissa Buffer, a Boston-area physical therapist who works with dancers and other
Remembering the Creative, Resilient Spirit of Jennifer Muller (1944–2023)
“Change!” It is the one word spoken throughout choreographer, dancer, and teacher Jennifer Muller’s iconic work Speeds, a dance celebrating joy rooted within virtuosic and pedestrian movements. Where is the point of change? Muller would often incorporate this question into her technique classes to ask the dancers to clarify their internal awareness within each movement. Amidst the constant changes of